
ome of the world's most ancient cultures flourished in the midst of the earth's richest and most varied mineral deposits, which are found in Asia Minor, Central and South Asia, and the Indian subcontinent. Some of these mineral resources, such as lapis lazuli, agate, and carnelian, were mined from a very early date and circulated widely throughout the oikoumene, the known world of classical antiquity. Neither ancient texts nor the archaeological literature has rendered a clear picture of the geographic origins or modes of distribution of even the most well-documented gem materials of the ancient world. The lapidary's repertoire of gemstones and the techniques of his craft, although inferred from descriptions in ancient and archaeological literature, only occasionally have been verified empirically.
In general, the artistic and cultural aspects of the ancient glyptic art (gem carving) are better understood than the gems themselves. Iconography has been the primary focus of study for art historians, archaeologists, and connoisseurs. On Gemstones is a unique reference book about intaglios and cameos of late classical antiquity—Greek, Etruscan and Roman—because art historical and archaeological perspectives are illuminated from a gemological point of view. The essays in this book examine ancient and archaeological literature concerning the identification, taxonomy, geographic origins, and treatments applied to gems in antiquity.
Recognized specialists in archaeology, materials science and gemology bring to bear their knowledge upon ancient gems in the light of gemological and analytical studies of 215 ancient engraved gems in seven international museum collections, including:
This book on gems is lavishly illustrated with photographs by Harold and Erica Van Pelt. The photomicrographs by John Koivula provide the first informed glimpses into the internal world of ancient gemstones, and what they can tell us about their identity, origin, and treatment.
CONTRIBUTORS
Editor
Ms. Lisbet Thoresen, Beverly Hills, California
Principal contributing editor
Dr. Karl Schmetzer, mineralogist, Petershausen, Germany
Authors
Sir John Boardman, Lincoln Professor of Classical Archaeology and Art, Emeritus, Oxford University
Mr. Charles W. Fryer, formerly Director, Gemological Institute of America, Carlsbad, California
Dr. Geoff W. Grime, Reader, Department of Physics, University of Surrey, Guilford
Mr. John I. Koivula, Chief Gemologist, Gemological Institute of America, Carlsbad, California
Dr. Karl Schmetzer, Petershausen, Germany
Ms. Lisbet Thoresen, Beverly Hills, California
Photographers
Principal Photographers
Harold & Erica Van Pelt, Los Angeles, California
Contributing Photographers
Ellen Rosenbery, Lead Photographer, J. Paul Getty Museum at the Villa, Malibu, California
Photomicrography by John I. Koivula and Lisbet Thoresen
copyright © 2003-2007 Lisbet Thoresen - all rights reserved
Back and front views of a Graeco-Persian sealstone cut from a translucent piece of rose chalcedony. A Persian horseman is depicted on the front side, his prey on the other sides of the facetted stamp seal, 49.43.7 (20.06 x 16.21 x 11.52 mm), Metropolitan Museum of Art, New York. Photograph by Harold & Erica Van Pelt.
On Gemstones features a map of the "known world" of Classical antiquity, with known gem deposits and ancient trade routes.